The desperation is taken care of by the adults - the boys’ mother to be specific. It is a film about hope and the endless positivity that all children innately possess. It is an unabashed look into the life of a family that can barely even afford the clothes on their back, if that. Sahaj Paather Gappo is a story of optimism and innocence in the face of adversity. The film follows the brothers and their mother as they come to terms with their desperate situation and tries to remain optimistic despite the hardships of their daily lives in rural Bengal. It is among the couple of Indian movies that narrates a beautiful story of two children, who exude optimism.The carefree and innocent lives of two young brothers, Gopal and Chotu, are interrupted after their father, the sole breadwinner of the house, meets with an accident while driving his cycle van. The majority of individuals changes, for example, references to mid-day meal, education and Mithun Chakraborty's recognition among rural viewers, assist the narrative through some changes strike a jarring note. Sahaj Paather Gappo provides a contemporary touch towards the legendary author's story. Although he shrugs off any connection with Ray and states 'These similarities exist probably because both the films have been adapted from the stories by the same author.'
The innocent brothers and sisters, the beautiful but harsh rural existence and also the landscape help take us to the world of Satyajit Ray's Pather Panchali (1955), which is dependant on Bandopadhyay's novel through on the same note. A few of the nature shots, such as the last scenes once the two siblings are lying within the Akash fields and looking for the flight of wild birds, were taken by cinematographer Mrinmoy Mondal on Piyali Island within the Sunderbans.Īs you're watching the movie, a feeling of deja vu is unavoidable. He shot the show in three schedules – throughout the monsoon, fall and late winter. I made mental notes of locations as well as photographed them,' states Pal.
I used to hire a ‘toto' (battery-operated auto rickshaw) and explore the areas in and around Bolpur. 'I made multiple trips to this place in 2014. Filmed around, West Bengal's Bolpur, the show captures the good thing about rural Bengal. Sahaj Paather Gappo joins films, for example, Sairat (Marathi) and Thithi (Kannada), that have explored rural locations for motion picture movies. And he spotted Nur Islam and Samiul Alam, who play Chhotu and Gopal, correspondingly, convincing to them act needed lots of cajoling as well as an eight-month-lengthy preparation. Pal visited numerous schools in North 24-Parganas district. Watching them reminded me of the two brothers in Talnabami, who always bounced back after every setback and cheered each other up,' states Pal, that has didn't have formal learning filmmaking.įor that movie's authenticity, it had been essential to cast children who spoke the dialect coupled with the body gestures of rural people.
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I loved their free spirit and positive attitude. Throughout his days as a teacher, he'd frequently take notice of the children residing in a neighboring slum. Pal started the career win a Kolkata based NGO and teaching in a school in Shyambazar. 'All I was getting, however, were bit roles in Bengali movies,' he states. Those who talk in chaste Bengali tend to look down upon this dialect as the language of rustic folks,' states Pal, who resides in Barasat, around the borders of Kolkata.Īs a kid, Pal thought about being an actor. 'My mother, who comes from that area, speaks this dialect, which has an inherent sweetness. The show utilizes a Bengali dialect that's spoken in the western world of Bengal & Bangladesh border region. The initial story is of three pages and adapting it right into a script for any 86-minute movie wasn't easy. The storyline involves two young siblings, Gopal and Chhottu, who remain active regardless of the hardships the family undergoes when their father meets an accident. Entitled Sahaj Paather Gappo (Colours of Innocence), the movie is among the two Indian films within the 'International Competition' for the Worldwide Film Festival Asia (IFFI), Goa. Pal stored the stories and, years later, when his career started as an actor though not quite satisfied, he adapted those stories into his first feature film. Among the stories in the collection that remained with Pal was Talnabami, which taken the innocence of childhood. Every week, his father would read to him from this. Manas Mukul Pal, his father gifted him an accumulation of short tales by Bengali author Bibhutibhushan Bandopadhyay. the story of two children narrated in a movie we move to the childhood of Mr. Best Bengali Movie Sahaj Pather Gappo will enchant your thought and take to the land of emotion and imagination of a child.